Please see Part 1 for the bubbling under list as well as the first 32 artists in the top 100!
The story so far:
100. LCD Soundsystem
99. Wu-Tang Clan
98. Pearl Jam
97. Portishead
96. Queen
95. Frank Sinatra
94. The Strokes
93. The Stooges
92. Television
91. James Brown
90. Cocteau Twins
89. Love
88. The Zombies
87. Kraftwerk
86. Buddy Holly
85. Public Enemy
84. Lou Reed
83. Coldplay
82. Neutral Milk Hotel
81. John Lennon
80. Pulp
79. Guided by Voices
78. New Order
77. Beastie Boys
76. OutKast
75. Ramones
74. Chuck Berry
73. Super Furry Animals
72. Otis Redding
71. Nick Cave
70. Creedence Clearwater Revival
69. The Doors
Lonesome Panda (
Anthony (13)
Michel (19)
Kevin (29)
Henrik (32)
Miguel (4
Jonah (6
BillAdama (79)
Fred (84)
Quotable:
Lonesome Panda: From huge Cathedral (they are night zombies… to intimate songs (Casimir Pulaski Day), Sufjan has already brought on its albums nearly all the feelings, genres and instruments in the world.
Albums in the Top 1000 Poll:
Illinois (44)
Songs in the Top 1000 Poll:
John Wayne Gacy, Jr. (153)
Chicago (26
Cashmir Pulaski Day (480)
Harold Wexler (12)
Moonbeam (16)
Henrik (31)
Mitchell Sterling (41)
Sonofsamiam (41)
Fred (43)
Greg (51)
Vgrd (52)
BillAdama (55)
Kevin (71)
Slush (90)
Tim (94)
Honorio (96)
Quotable:
Moonbeam: The first side of their debut record contains more ideas than many bands explore in their entire careers, and Roxy Music maintained such incredible heights throughout their many phases. Their voyage through noctural glam rave-ups, raucous rock, soul-tinged pop and New Romantic balladeering is simply mesmerizing.
Albums in the Top 1000 Poll:
For Your Pleasure (349)
Roxy Music (557)
Stranded (893)
Songs in the Top 1000 Poll:
More Than This (43
Bitters End (583)
Virginia Plain (684)
Editions of You (1000)
Sonofsamiam (10)
Georgie (17)
Damosuzuki (22)
Pop Elton (35)
Mitchell Sterling (37)
Vgrd (44)
Harold Wexler (57)
Henrik (62)
BillAdama (72)
Honorio (72)
Slush (87)
Kevin (96)
Albums in the Top 1000 Poll:
Another Green World (153)
Music for Airports (261)
Here Come the Warm Jets (344)
Before and After Science (456)
My Life in the Bush of Ghosts (65
Taking Tiger Mountain (By Strategy) (73
Wrong Way Up (79
Songs in the Top 1000 Poll:
The Big Ship (414)
Needle in the Camel’s Eye (441)
By This River (526)
Spider and I (607)
Harold Wexler (10)
Stammer (12)
Paul (15)
John (2
Lonesome Panda (30)
Greg (44)
Honorio (47)
Dumbangel (7
Vgrd (82)
Quotable:
Lonesome Panda: I first listened to Third Album and was really disappointed, I was hoping for an ancestor of Elliott Smith and just found a very disturbing album. Since then I have discovered their 2 first albums and that was totally different… they are not as I expected ancestor of Elliott Smith (well, they are an important influence however) but they have their own appealing universe, full of brilliant songs with a few gems. And well, the soundtrack of my favourite TV show and my favourite cover ever are both covers of that band, and that's not only details to me. Favourite Album: #1 Record, Favourite Song: Thirteen
Albums in the Top 1000 Poll:
#1 Record (143)
Radio City (180)
Third/Sister Lovers (31
Depeche Mode (1)
Henrik (10)
Moonbeam (12)
Rune (42)
Honorio (49)
Pop Elton (76)
Slush (85)
BillAdama (95)
Quotable:
Moonbeam: The longest running ambassadors of synth-pop are also one of the genre’s best acts. Their growth throughout the 80s was tantalizing, culminating in 1990’s enormous Violator, an enduring classic and indelible benchmark of electronic music. My enjoyment of their music is about as natural as it gets.
Albums in the Top 1000 Poll:
Violator (16
Songs in the Top 1000 Poll:
Enjoy the Silence (23
Personal Jesus (50
Shake the Disease (672)
Moonbeam (13)
Stephan (13)
Daniel (25)
Vgrd (27)
BillAdama (44)
Greg (50)
Depeche Mode (52)
Rocky Raccoon (52)
Honorio (61)
Georgie (62)
Lonesome Panda (64)
Miguel (71)
Damosuzuki (7
Pop Elton (7
Rune (84)
Henrik (86)
Quotable:
Moonbeam: Regardless of the travesty of his personal life, Michael Jackson’s ability to entertain through his music and performance is second to none. His catalogue is filled with gems well beyond the big hits- tracks like “Who Is It”, “Human Nature” and “Stranger in Moscow” are all big favorites. Thriller gets all of the love, but I actually prefer Off the Wall, Bad and Dangerous. Never has the world celebrated a single star quite like Michael Jackson, and it’s hard to argue why when listening to his perfect brand of pop.
Lonesome Panda: The idol of my youth, don't listen to him that much now but still like lots of its hits. Favourite Album: Thriller, Favourite Song: Liberian Girl
Albums in the Top 1000 Poll:
Thriller (79)
Off the Wall (659)
Songs in the Top 1000 Poll:
Billie Jean (23)
Don’t Stop ‘Til You Get Enough (391)
Thriller (569)
Miguel (3)
Greg (13)
Rune (20)
Stephan (20)
Fred (26)
Honorio (34)
Harold Wexler (53)
Stammer (55)
BillAdama (61)
Mitchell Sterling (67)
Henrik (70)
Sonofsamiam (80)
Albums in the Top 1000 Poll:
Songs of Leonard Cohen (120)
Songs of Love and Hate (287)
I’m Your Man (406)
Various Positions (615)
Ten New Songs (999)
Songs in the Top 1000 Poll:
Famous Blue Raincoat (173)
Avalanche (266)
Suzanne (336)
Hey, That’s No Way to Say Goodbye (636)
Andre (10)
Miguel (11)
Stammer (22)
John (24)
Kevin (27)
Stephan (39)
Harold Wexler (45)
Nicolas (47)
Slush (49)
Greg (54)
Paul (55)
Rocky Raccoon (60)
Damosuzuki (62)
Honorio (86)
Albums in the Top 1000 Poll:
Sweetheart of the Rodeo (215)
Younger Than Yesterday (307)
Mr. Tambourine Man (323)
The Notorious Byrd Brothers (366)
Songs in the Top 1000 Poll:
Eight Miles High (17
Mr. Tambourine Man (61
I’ll Feel a Whole Lot Better (801)
My Back Pages (902)
The Ballad of Easy Rider (923)
Ain’t Going Nowhere (989)
What a great list with huge surprises!
7 of my top 10 are still coming.
I only expect that my #1 and #2 would be in top 50.
Cocteau Twins, Guided by Voices and Super Furry Animals were big surprises. But for me Roxy Music was the biggest jolt. I hadn't realise that Roxy Music is band that music lovers love. I thought it was some 80's easy listening group with one big hit (More Than This). I guess I was so wrong.
But for me Roxy Music was the biggest jolt. I hadn't realise that Roxy Music is band that music lovers love. I thought it was some 80's easy listening group with one big hit (More Than This). I guess I was so wrong.
If you like experimental pop with a sense of irony, you can't go wrong with their first 4 albums.
And I voted for... none of those. But, many of them probably would have made my list if I expanded to 100 artists.
There are a few of these artists that I just don't "get." Brian Eno is one of them (I find him boring) and Roxy Music is another. Bryan Ferry's voice is just hard to get used to. However, if anyone can convince me that Eno and Roxy Music are good, as well as introduce me to Frank Zappa, I'd be glad to check out some new albums.
Penguin, here is my review of the first Roxy Music album:
In the annals of modern music history, few bands have proven themselves as trailblazing and wildly experimental as Roxy Music. With its grand artistic aspirations and sundry political, mythological and literary references, the band transcended the mere sleazefest fun of most glam rock acts. Their incredible career trajectory begins on this eponymous debut, which features some of the most cinematic songs in their history.
The first side of Roxy Music stands to date as one of the most adventurous and varied displays of vision, talent and unbridled macho revelry in the history of modern music. Leading the way is the raucous rave-up "Remake/Remodel", which sees each musical component vying to be heard among the cacophonous roar. Synthesizers, saxophones, drums and guitars offer a full-fledged onslaught on the senses geared by Bryan Ferry's vocal lunacy. The intensity proves too potent as the song literally breaks down and collapses at its finish. This dramatic opener yields to a slightly more peaceful but no less affecting "Ladytron". As Brian Eno maps out uncharted, almost medieval territory with his pioneering synthesizers, Ferry unveils his clandestine seduction: "I'll use you and I'll confuse you and then I'll lose you, but still you won't suspect me." Like its predecessor, the song comes apart at the end, this time via some screeching staccato synth stabs. Next is the album's highlight, "If There Is Something". The song begins with a silly honky tonk false start before opening up into a sweeping, sorrowful epic. A descending chord progression carries an air of death as Ferry's vocals swerve of control, his offerings being superlatives of commitment. Eventually, the song launches into a visceral synthesized oboe solo whose drawn out delivery is one of mourning as the chord progression continues before some synth strings and chorus-backed Ferry close the song in grand splendor. Although originally unissued on the album, orphaned single "Virginia Plain" has thankfully been added to later versions, its peppy percussive piano and sleazy swagger offering a perfect introduction to the band's sound. The song rightly stands as Roxy's most famous and seminal. Closing the first side, the subdued delight "2HB" is a heartfelt ode to the late Humphrey Bogart. That the band is able to dexterously showcase its variety weaving through a myriad of styles and sounds only fortifies its claim to greatness.
After the unimaginable highs presented on the first side, the second side is unable to keep up, although it succeeds in closing the album in great style. Not short of ideas, the band compiles three songs into one on the slinky, meandering "The Bob". Roxy's assortment of influences becomes more evident here, particularly Bryan Ferry's fascination with crooning on such tracks as the poignant piano ballad "Chance Meeting". Nevertheless, there are always a few tricks up the band's sleeve, and the song is eventually propelled by a distorted guitar screech into a bopping synth shuffle. Elsewhere, "Would You Believe?" sees Bryan Ferry pulling out the panache before evolving into a fun ode to 50s rockabilly. The highlight of the second side, "Sea Breezes" features an ancient melody backed by ocean swells, soft organ touches and a wandering oboe before switching gears to a bass-driven groove that grows more desperate with increasingly rowdy scratching guitars and eventually subsiding to the opening refrain. The 50s make an even more prominent return on the bellhop bebop of the album's final track, "Bitters End".
Many bands go through their entire careers without as many ideas as are present on this album alone. Unfortunately, the tempestuous sound would extend itself to Roxy Music's chemistry and the original lineup would only remain intact for one more album. While Roxy Music opened the gates to even greater pastures on For Your Pleasure, it stands as one of the most thoroughly satisfying and bold debut albums on record. That the band was able to carve out a slice of commercial success and forge a great deal of critical acclaim is testimony to its greatness.
Moonbeam, right on with your assessment of Roxy Music, Side 1! Ladytron is ta die for...
Penguin, how much of Eno's early poppier stuff have you listened compared to his ambient stuff? I'll admit it took me a good while to get into him, but when I did, I was addicted.
As for Eno, I've listened to "Another Green World" (the ambient) and "Here Come The Warm Jets" (I suppose this is poppish, but I don't see it). I haven't listened to them in a while though, so maybe my opinion has changed...
do yourselves a favour kids, listen to Roxy Music and For Your Pleasure, read Douglas Adams and J.G. Ballard, purchase a Atari 2600, watch A Clockwork Orange, Death Race 2000, The Wicker Man, and The Conversation inbetween. and you'll soon get the idea how odd the future can look like when a there's nothing left but a seagull chair...
I'm starting to wonder if Wilco and Flaming Lips made it as high as top 20. At this point, especially on this board it wouldn't shock me. Arcade Fire's another Oughties act that probably has a top 20 shot.
Other boards I might say White Stripes, but since this board seems to lean against heavy guitar riff driven stuff they'll probably show up in the next update.
(Also has TV On The Radio shown up yet? I don't seem to recall it).
Similar to what I did for the 1990s poll, I have looked at the correlation between each pair of voters, to see which of us have the most similar taste (so you know who to ask for recommendations). The highest correlations based on the votes for the top 51-100 artists are the following:
1. Vgrd & Sonofsamiam (r=0.47)
2. Jonah & Slush (r=0.46)
3. Daniel & Stephan (r=0.43)
4. Moonbeam & BillAdama (r=0.39)
Slush & Penguin (r=0.39)
6. Daniel & Depeche Mode (r=0.38)
7. Nicolas & Andre (r=0.37)
8. Harold Wexler & Stammer (r=0.36)
Stephan & Miguel (r=0.36)
10. Jonah & Anthony (r=0.34)
John & Stammer (r=0.34)
Rocky Raccoon & Nicolas (r=0.34)
Note: r can vary between -1 and +1, where +1 is a perfect positive linear relationship between two voters. For the calculations I built a spreadsheet of each voters' place for each artist, as presented by Moonbeam above. The "blanks" (when a voter did not put the artist on his list) were replaced with the value 200.
Now let's see if these pairs of voters continue to agree when we get to the top 50 artists...!?
56 of my artists have appeared already between 51-500. Of the 44 that are left, I have absolutely no doubt that 40 of them are in the top 50 - including Steely Dan, to reply to an earlier post. As for the other 4, it would seem unlikely that the Yardbirds and the Soft Boys would make it if they haven't already (but no Robyn Hitchcock at all in the entire top 500? really?), while the other two I'm not sure about. If they make the top 50 I'll reveal who they are (both made their best music in the early '70s).
Moonbeam, allow me to echo the extravagant praise you're getting and deserving for lavishing such care on this project!
I'm not a huge Steely Dan fan but I enjoy the album "Pretzel logic" and "Rikki don't loose that number" is a great song. Doesn't anybody ever notice that Sondre Lerche has been very inspired by "Rikki..." intro in his "Faces down" intro ?
And I love the guitar solo on "Rikki...".
Well ... the intro of "Rikki Don't Lose That Number" itself is "inspired" by the intro of Horace Silver's "Song for My Father". Unless you're talking about the burbling marimba-like sounds at the -very- beginning of the song.
Also, I love the guitar solo on "Rikki", too. Along with everything else about it.
Dumbangel (13)
Jonah (14)
Pop Elton (14)
Penguin (16)
Slush (20)
Harold Wexler (36)
Honorio (3
BillAdama (46)
Rocky Raccoon (55)
Tim (56)
Rune (65)
Mitchell Sterling (82)
Stammer (83)
Kevin (85)
Sonofsamiam (9
Albums in the Top 1000 Poll:
The Soft Bulletin (32)
Yoshimi Battles the Pink Robots (90)
Transmissions from the Satellite Heart (353)
Zaireeka (371)
Clouds Taste Metallic (82
At War with the Mystics (863)
Songs in the Top 1000 Poll:
Do You Realize? (159)
Race for the Prize (185)
Yoshimi Battles the Pink Robots Part 1 (334)
Moth’s Head in the Incubator (720)
Greg (14)
Daniel (17)
Nicolas (1
BillAdama (19)
Honorio (20)
Stephan (2
Vgrd (30)
Paul (42)
Rocky Raccoon (54)
Damosuzuki (55)
Harold Wexler (55)
Miguel (55)
Henrik (64)
Kevin (69)
Albums in the Top 1000 Poll:
Elvis Presley (305)
Songs in the Top 1000 Poll:
Suspicious Minds (4
Heartbreak Hotel (315)
Blue Moon (410)
That’s Alright Mama (914)
Vgrd (12)
Slush (27)
Greg (2
Honorio (29)
Nicolas (31)
BillAdama (32)
Rocky Raccoon (33)
Sonofsamiam (35)
Henrik (40)
Stephan (46)
Paul (52)
Miguel (54)
Georgie (64)
Dumbangel (65)
Jonah (67)
Daniel (84)
Harold Wexler (84)
Fred (99)
Albums in the Top 1000 Poll:
What’s Going On (22)
Here, My Dear (586)
Let’s Get It On (822)
Songs in the Top 1000 Poll:
What’s Going On (14)
I Heard It Through the Grapevine (74)
Inner City Blues (Make Me Wanna Holler) (317)
Sexual Healing (374)
Mercy Mercy Me (The Ecology) (513)
Let’s Get It On (83
Henrik (4)
Depeche Mode (10)
Pop Elton (7)
Slush (15)
Jonah (33)
Andre (35)
Lonesome Panda (40)
Mitchell Sterling (59)
BillAdama (63)
Vgrd (79)
Tim (82)
Honorio (90)
The Nineties are my favorite my far. Massive Attack, though, is a huge surprise. I also don't remember "Teardrop" being higher than "Unfinished Sympathy," although I agree wholeheartedly.
The nineties are a gaping hole in my music experience. I was really into "alternative" in the eighties, but got kind of turned off when it went so mainstream and so grunge. (I was more into the jangly alternative sound). Then I tried hitching my wagon to alt-country, but that all started to sound boring after awhile.
Now as I go back and try to "reconstruct" the nineties using resources like this site, I'm still having a really hard time connecting with anything from that decade. (Other than Odelay, which I have always liked).
The Britpop just isn't doing it for me, I'm past my hard rock years (at least as pertains to getting new stuff), and the hip hop from the 1990s all sounds so old fashioned now. What's an old guy like me going to find in the 1990's that is worthwhile?
I don't like the 90s very much. Most of my favorite albums and songs are from the 70s, with the 60s and 80s closely together in 2nd and 3rd spot (the music from the 60s is mostly from the last 6 years, while the rest of the decades has 10 years, and so it is still my favorite decade). After that the 90s and 00s are close together, but the 00s are quickly catching up. With 2 years left to go, I think the 00s will surpass the 90s for me.
Paul, your trajectory sounds a lot like mine--alternative in the 80s, disenchanted with the heavier post-Nirvana music in the 90s and flirting briefly with the No Depression stuff.
The main exception is that I DID fall pretty hard for Britpop, which seemed a welcome respite from Soundgarden and STP and Bush and the like. I'm a sucker for tuneful irony.
The more I hang out on this site, the more I realize that I've never really gotten into 2000s music in any deep way. I have one or two dozen favorites, but I'm just not immersed the way I was 20 years ago. I guess it's partly the fragmentary nature of pop these days, combined with my rapidly encroaching middle age. If the Strokes had started in 1981, I'd probably have loved them; as it is, I think they're OK but I don't see what all the fuss is.
All of this may be a long-winded way of bemoaning the near-absence of most of my picks from the top 100...
Paul, I understand your plight, but I figure that if someone in his mid-twenties (like me) can latch onto artists like Hank Williams and Glen Campbell -- artists from years ago, who I never heard growing up, from a genre that I always associated with bad music -- then I don't see why you can't go back and reconnect with music from the nineties.
I'm not sure if this is one would be up your alley or not, but it's a great '90s album with atypical influnces: New Radicals - Maybe You've Been Brainwashed Too. It's not grunge; it's like funk and soul-tinged pop with lyrics criticizing commericialism and religion. Probably the "smartest" album from the nineties that I've heard, but unfortunately it was the first and last from the band -- they split up not long after.
The other day I was driving to.. I can't remember where, and "Someday We'll Know" played (from my own collection, I don't think I'll see the day a Dutch station plays that song) and I thought to myself: with a proper re-release this song (and "You Get What You Give" too, for that matter) could even become pretty successful nowadays. What a fantastic song. So yeah, one of my favorite albums of the 90s as well.
Yeah, I remember you being a fan of that record, Stephan. And you might be onto something re: a re-release, but unfortunately, I think MYBBT is destined to wallow in the land of one-hit-wonder album obscurity for the rest of its days. The same land where you'd find the likes of A-ha's "Hunting High and Low" and The La's.
("Someday We'll Know" is great, yes, but what about "Flowers" and "Gotta Stay High"? F$cking poptastic!)
And what about "I Hope I Didn't Just Give Away The Ending"? Hell, pretty much all the songs on the album are brilliant. I'm listening to the album again right now and I think I'll move it up a few spots on my list again.
I had it at #17 for the album poll. Seems about right. (Again, it's that whole appeal of a band putting out one great record and then fucking off. I can't explain why I enjoy that sort of thing.)
Wow, I'm a potty mouth today. Speaking of which, whatever happened to Twister?
Mitchell, I was asking because I made a thread a couple months ago about that. I noticed that it's AM acclaim comes mostly from critics in non-English speaking countries and only his recent album had US acclaim. So, what is the demo here?
Mitchell, I was asking because I made a thread a couple months ago about that. I noticed that it's AM acclaim comes mostly from critics in non-English speaking countries and only his recent album had US acclaim. So, what is the demo here?
I am curious as to how high a band has to be on an individual list to crack the top 500.
I'm curious because I was happy to see Frankenixon in the top 500, but perplexed because that was a local central Iowa band that released 2 and a half albums while I was in college in Des Moines (Iowa) and then dispersed. They should have become huge (or at least Pitchfork huge) but they just didn't. My high placing of Frankenixon on my own artist list is just as much because of that connection of witnessing several live intimate performances in local venues as the quality of their music. You should definitely seek out mp3s or myspace sites, if you can find anything by them.
Awesome discussions here! My internet connection went down at home because some line was cut somewhere that services thousands of Sydney customers, so I may not be able to update much over the next few days. I'll see what I can do!
I also am not a big 90s fan, even though I should like it given my age. I was totally captivated by just about everything that was around in the 80s (yes, even Richard Marx and Roxette!), and when the 90s came along, everything seemed so jaded, negative and angry, and I just couldn't get behind those emotions very much. I've grown to appreciate some stuff more since the 90s have ended, but it still pales in comparison to the 80s, 70s and 00s for me.
Well the album and song polls tended to prove that I am the most 90s/00s oriented person on this forum.
I don't find the 90s that angry or negative... I admit it is often jaded but not without a sense of hope and beauty.
The 00s might me funnier, but the 90s are deeper, more sincere.
I, personaly, think that the worst decade is by far 80s (especially from 81 to 87), not only because of the sound of the synth-pop, but because it is mostly a transition period, especially for rock and pop, where the great years are passed and it takes time to build something new.
Hip-hop and electro were too young so you have to go on very specific genres to find something interesting : heavy metal (Slayer, Metallica...), hardcore (Husker Du, Fugazi...) or even irish traditional music...
Most of the great act are just alone in their category with no scenes to support them, the best example being Prince, all alone in its category.
How important are music scenes to you guys? Personally, I admire more the artists who make great records in their on way, no matter what the current hype is.
What I mean is that Tom Waits or Prince's best albums are not the reflect of a dense period with lots of good bands/artists, they are just single exceptions on a rather poor global scene.
Unlike Radiohead, Nirvana or Massive Attack which were just the leaders of a more global trend.
Lonesome, it wasn't meant as an attack against your post. It just got me wondering about people's feeling about music scenes, and I just think that artists that go against current trends often have a more long-lasting appeal. Like Prince and Tom Waits.
I've got to agree with Lonesome Panda - the 90s are my favorite followed by the 70s and the 00s. That probably going to be apparent once my list is up.
As for the 90s being angry and negative, it really depends on what you listened to. I love Britpop (and didn't really like grunge) so to me, the 90s were pretty positive with a lighter sound than most people think of when this time is mentioned. It really depends on what type of music you think represents the 90s.
As for the Smashing Pumpkins, I hope they made the list. I would be surprised if they didn't, but I don't see too many fans of them here. I know I voted for them (very highly too), but not too sure about the others.
Smashing Pumpkins made the list. I'm 100% sure of that.
In my opinion Smashing Pumpkins have managed always high positions in our polls (last year in 90's poll Siamese Dream was at #17 and Mellon Collie #50. In song poll of 90's they got 4 songs in top 100 and in all time list they had 3 songs in top 200 and Siamese Dream was in top 100 in all time albums list. Quite well I guess.
To Jonah
In my list CMX was my #30. Regina and PMMP were #27 and #26. I'm pretty sure that no one else voted them but they all made to list (CMX was 493. and the two others in positions 460-470). So I guess everyones top 30 made to top 500.
It's nice to see that someone else voted 22 Pistepirkko. Rune (from Norway) was it you?
It seems that Slint didn't make to top 500. It was my number 37. That means that no one else voted it. Shame on you guys.
And finally to John. I'm from Finland. As you can see my English is bad. The lyrics are not the biggest reason I like Scott Walker.
Moonbeam, you should call up your ISP and tell them to hurry up because they are stalling an internet music poll. I'm sure they'll understand and expedite the process.
I've made no bones about the fact that I consider Billy Corgan to be one of the greatest alt-rock songwriters. Of the 200 songs I submitted for the song poll, nine were his.
The Sex Pistols were punk, but beneath it was pop. Nirvana was grunge, but Cobain wrote pop songs.
Same with Corgan. Sure, the Pumpkins didn't change music to the extent that the Pistols or Nirvana did, but the best Pumpkins songs -- Today, 1979, Perfect, etc -- were pop songs with catchy hooks, unfortunately branded with the alt/goth tag. Rubbish, I say.
what would present pop college culture look like then, anyway, when they would have meet our ...
toneiiiiighhhhhht....whoohooooo..violins..come on, hit meee Recordman, hit meee, heeeeeheeehaaaahaaaaa..... if ya dare, hit me again, foam and dazzle and make a real god out of me; soon enough you'll confront the one and only Half Billie "A-Two-Phase-Shave's enough to be confi" Dent (PS: Ok, this one IS lame...) who turns out to have survived the tropical acid thunder as the last single human of them all:: but(!) he hade mutuated into the one and evil <> all the while!!! ---- and that did happen, well, sorry... but...
toneeaeiiiiighhhhht.. toneeeeaaaiiiiighhhhhhtt...
I'll make the Recordman witness my suicide... I'll make him pay a thousand hours of therapy then... hhheeeeehhaaaaahhaaaaaa.... and how about another magic trick then, eh.?..