That's because it -is- Massive Attack. I think this has been mentioned before on this forum, but for a brief period their record company (I think) made them drop the "Attack" from their name because of the Gulf War (yes, it's as stupid as it sounds). It wouldn't really make a lot of sense for Henrik to have a separate entry for "Massive".
I don't know why so many websites are getting this wrong - actually, I do know why, it's a cumbersome album title - but Of Montreal's album is titled HISSING FAUNA, ARE YOU THE DESTROYER? It's not OH HISSING FAUNA, etc.
Dizzy Gillespie's GILLESPIANA and THE CARNEGIE HALL CONCERT are two separate albums, which have been combined onto a single CD. Since Fast N' Bulbous specifies the former in its list, it should probably take pride of place here. (Gillespie's discography can be fittingly dizzying; good luck trying to figure out which of the many, many releases identically titled GROOVIN' HIGH is the album listed on Acclaimed Music. For the record, it seems to be the one originally issued on the Savoy label, with the title printed in quotation marks on the cover.)
How is Garth Brooks' "The Dance" so high on the singles list when it only appears on 3 all-time lists, two of which are specific to country? There are songs below it that are on as many or more lists, and those lists are for all genres. That just seems odd.
The Beta Band has "The Three E.P.s" listed as one of the top albums, but when I checked it out on Wikipedia (ya I know it's not that reliable) it says it's a compilation.
Oy ... we've been over and over this with THE 3 EP's. Yes, technically it's a compilation of, uh, three EP's. But it's always talked about as an album, and considered an album, so it's included here (same for Fugazi's 13 SONGS, a compilation of two EP's).
The line can be nebulous sometimes. Soundtracks containing songs by more than one artist are compilations by definition, but you wouldn't dream of not including, say, SATURDAY NIGHT FEVER or THE HARDER THEY COME. On the other hand, I've been lobbying Henrik for years to include THE SUN SESSIONS and the Buzzcocks' SINGLES GOING STEADY, but no dice so far.
I thought I had seen it here before, but you seem to be missing Rolling Stone's best albums of the '80s list.
None of the albums I've looked at that were on that list are not credited with it in the list of all-time/decade best of lists. For example, Purple Rain was No. 2 on the list.
This might be just how they spell it in Australia, but Nick Cave's
"Abattoir Blues/The Lyre of Orpheus" is listed as
"Abbatoir Blues/The Lyre of Orpheus"
In regards to the Rolling Stone '80s list. You have the Australian version listed, which was similar to, but not the same as the U.S. publication. For example, '1999' was No. 16 U.S. list, but was replaced by Paul Kelly's 'Post' in Australian list.
I know that Jazz Discography is quite tricky but I see that Miles Davis' "Birth of a Cool" is listed for several different release dates.
Acclaimedmusic.net = 1954
Miles Davis' official website = 1949
Wikipedia = June 1950
Now this seems to apply to most of his earlier albums it seems, I'm not really sure why every website seems to have a different release date unless they considered re-issues.
With Nick Cave everything of his listed on this site is under Nick Cave & The Bad Seeds but only if you directly click on the album or song. You may aswell put it on the lists itself.
Henrik, I’ve got a doubt while I’m preparing my list of 1982: the “Violent Femmes” first album was released in 1982 or 1983? According to various sources it was released in 1982 (Rate your music, Rockdelux, Wikipedia – in this one 30 November 1982 is listed as the date of release – and even the Violent Femmes official page). But many other sources list it as 1983 (allmusic, discogs). In my own CD (although being the 1991 European CD release by London Records) is listed as 1983 Slash Records.
What do you think about it?
Frank Sinatra has "My Way" listed twice. Once on #2506 and once bubbling under. Both are mentioned on 1 different critic list and both are mentioned as entering the Grammy Hall of Fame.
Stealers Wheel is listed as Stealer's Wheel and the only song they have (Stuck In The Middle With You) is from their 1972 debut album so it should be from 1972 rather than 1973.
Re: "Brimful of Asha" - I can't speak for Henrik, but I would guess that since both the album version and the remix are credited to Cornershop, all mentions of both are combined into one ranking. Otherwise it would be like having separate entries for the edited single versions of long songs like, say, "Won't Get Fooled Again" or "All Right Now".
Tiny bits: Weezer's #2237 of 1994, "Undone - The Sweater Song" is listed as "Undone - The Sweeter Song".
Paul McCartney's #0835 of 1970, "Maybe I'm Amazed", is listed as being by Wings, but it was from Paul's first solo album, and Wings didn't exist yet as of then.
Another minor: Sam the Sham and The Pharaohs (artist #819 with Wooly Bully from 1965 that is song #443) have been written as Sam the Sham and The Pharaos. So yeah, just one H.
"New Boots and Panties!!" - album #317, is not actually by Ian Dury & The Blockheads, just by Ian Dury. The Blockheads didn't exist yet at the time. The same goes for single #851, "Sex and Drugs and Rock'n'roll".
Shouldn't the one song of artist 1206 (Chick Webb) be moved to Ella Fitzgerald? Chick Webb was the band leader, it's true - but band leaders aren't taken into consideration on the site, but instead the artists they back are.
Song #2557, by Spandau Ballet, titled "Chant No. 1 (I Don't Need This Pressure On)", has mistakenly been written on the site as "Chant No. 1 (We Don't Need This Pressure On)" (albeit, such a tiny mistake).
Also, Billy Ward & The Dominoes (who have song #2532) have been written as Billy Ward & The Dominos. (this one too)
Henrik, could you please regard song #2031 (Angelo Badalamenti - "Twin Peaks Theme" from 1990) as the exact same thing as #2413 (Julee Cruise - "Falling" from 1989), please? (been meaning to tell you this, but kept forgetting)
Because "Falling" = "Twin Peaks Theme" + Julee Cruise's vocals.
To quote Wikipedia, about Angelo:
After scoring a variety of mainstream films, including A Nightmare on Elm Street 3: Dream Warriors and National Lampoon's Christmas Vacation, he scored Lynch's cult television show, Twin Peaks, which featured the vocals of Julee Cruise. Many of the songs from the series were released on Cruise's album Floating Into the Night.
I'm thinking that this situation is just like Cornershop's "Brimful Of Asha", with the Fatboy Slim remix and all. Except in Brimful's case, the two songs are actually more different between each other.
I am suggesting that you keep the entry for "Falling", instead of the other one, because the song is sweeter with vocals.
Interpol's "PDA" - standing at #2174 - is placed as a 2000 song on the site, instead of, you know, 2002. And 2000 is indeed when it first came out - on the Fukd ID EP in December 2000, and in another version one month later on the Precipitate EP - but the critics' lists used on the site indicate it's the 2002 version that got the acclaim; three out of those four lists refer to the debut album, and the last one points at the Interpol EP from the same year.
Song #1919 = Tori Amos' "Professional Widow (Armand's Star Trunkin' Funk Mix)" is in fact called "Professional Widow (Armand's Star Trunk Funkin' Mix)".
Steve Reich's Music for 18 Musicians (1978) entry on Pitchfork Media's Top 100 Albums of the 1970s (as #53) is not included on the "best of all-time lists" section of that album.
The Birthday Part's bubbling under "song" called "Bad Seed" doesn't actually exist. It was an EP that New Musical Express and Schlager voted for in their end-of-year lists, but it has no song called "Bad Seed" on it.
Song #739, "Timeless/Inner City Life" by "Goldie Presents Metalheadz", should be simply by "Goldie". Metalheadz was simply a record label started by Goldie. The song itself should probably be called "Timeless (Part I: Inner City Life)".
Henrik, this is really complicated stuff - but Bob Marley's "Stir It Up" and "Lively Up Yourself" seem to be the later releases in the critics' lists. You can't really know for sure; "Duppy Conqueror", for example, seems to clearly be supposed to have its 1970 version as the acclaimed one. But perhaps this isn't the case for the others?
Mismaiome, you and schleuse said in another thread that "I think that if the critical consensus is to acclaim a later (perhaps improved) version, the later date should be used."
While I said "Always going for the original version/year seems to be the easiest way to handle this."
Maybe you are getting closer to my view on this...
I've got one ! I've got one !
XTC's song Dear God is listed in 1987 it is in Skylarking which is listed and release in 1986.
That's the proof that I study carefully to make my 86 list !
Cheap Trick's "I Want You To Want Me" (#1348) is listed as being from 1979. However, the song is from 1977. But there's the rub: the acclaimed version of the song, and the best-known by the public too, is in fact the live one from "At Budokan" released in 1978. As such, you should change the year to 1978 and change the song's name to "I Want You To Want Me (Live At Budokan)".
The sings of The Four Tops? What was I thinking? How does someone even make a "typo" like that? I suck. (I suppose I was thinking "the guy who sings for The Four Tops", and so I picked up the verb from that thought whilst not following the rest of the already written sentence; I tend to do that.) )
Although the song did well in Germany, it languished on British charts until a remix of the song was released by Timo Maas. The remix's popularity catapulted the song to a #8 position on British charts.
About Azzido Da Bass' "Doom Nights". I've never found a single compilation - ever - that contained the original song instead of the Timo Maas remix. Additionally, the Q Magazine list does point out it's the Maas remix; and I strongly believe the other lists were referring to that remix too, but simply forgot to mention that they were because the remix was the only version to them.
Seriously, no one has ever heard the original. Maybe cahnge the song's name to "Doom Nights (Timo Maas Remix)"? It's the defining one.
Hotel for Women, an EP recorded in 1981, contained an early version of "88 Lines About 44 Women", a song that caught the attention of RCA. The Nails were signed to RCA By Bruce Harris, also known for bringing The Clash to America. In 1984 "88 Lines About 44 Women" was re-recorded for RCA and included on The Nails' full-length debut LP, Mood Swing.
I suppose it'd be from 1984 rather than the current 1982, or at least 1981.
Well, the band War have a song on the same spot too. It's called "Spill The Wine", and when you click on it you're taken to "Duppy Conqueror", although they have no connection whatsoever.