KBGS Old Boys' Forum

A place to discuss Keighley Boys' Grammar School. 


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KBGS Old Boys' Forum
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Re: Name Dropping

Blocked ‘drines’’ are still a problem in the flatlands of East Anglia. The problem stems from the fact that the ‘drines’ do not run downhill as they do in Keighley. That which does flow in the pipes is pumped from place to place by a series of pumping stations and if one gives up the ghost the drines are blocked. I had the same problem only last week!
This site is thinly populated these days. Do you get to the reunion lunches? I cannot recollect our paths ever having crossed!

Years at KBGS e.g. 1958-1964 (optional) 1945 - 50

Current location (optional) Norfolk

Re: Name Dropping

In these here hills, it's simple to achieve drain falls of one in 40 or 60 for 4 and 6 inch pipes, respectively.

And yes, I'm disappointed at the dearth of contributors, including from my forms.

Many years ago, I mused that there were too many cars on the road. So, as I had had quite a few "near does", I didn't renew my licence, a Socratic Daimon thing? Living approx 18 miles from Keighley, re-unions aren't easy. Medical problems also play a part.

There's a poem from the Sanskrit that starts: Look to this day for it is life, the very life of life. For yesterday is but a dream and tomorrow is only a vision.

In my younger days. our vicar left Yorkshire for the incumbency of Taverham, whom I called on once: he was out but I spoke to his wife.

I think Fred Catley was quietly amusing when he remarked that infinitive pouvoir meant, to can.

Years at KBGS e.g. 1958-1964 (optional) 1953-58

Current location (optional) Brighouse

Re: Name Dropping

In the course of my work I have interviewed quite a few public figures. But my favourite was somebody who is now forgotten but enlivened a dull early part of my career.

Back in the mid seventies I was summoned to the Alhambra Theatre in Bradford to interview Dame Margot Fonteyn our leading UK ballerina in the post war years.

I was informed I could enter by the Alhambra stage door and knock on her changing room at the interval. This I did and and she graciously said I might enter and conduct an interview.

She was stark naked when I entered and said I should feel relaxed about this as this was normal backstage at such events when artists were changing between acts. I interviewed her for 20 miuntes most of the time she was naked but I still got the story and the quotes.

Anyway she thanked me for my relaxed attitude and said she thought the Alhambra was a marvellous theatre for such ballet events. Naturally this ex-KBGS laddie was suitably excited by her physicality and at the end skipped into darkest Bradford with a smile on my face.

Years at KBGS e.g. 1958-1964 (optional) 1961-70

Current location (optional) Bingley

Re: Name Dropping

... and did you find any --- ladies of negotiable virtue ?

Years at KBGS e.g. 1958-1964 (optional) 55/60

Current location (optional) Harrogate

Re: Name Dropping

No because they only exist in the Labour Party or down Lawkholme or Lumb Lane. As you well know. At a higher level its just get the business done for us ex-KBGS professionals.

Years at KBGS e.g. 1958-1964 (optional) 1961-70

Current location (optional) Bingley

Re: Name Dropping

Yes, John Fahey, a 'primitive' guitarist he called himself. I have quite a lot of his albums and have learned a few of his tunes. Stefan Grossman too, a very good tutor on YouTube.

Re: Name Dropping

For some recent John Fahey interpretations and some wonderful guitars, check out (if you haven’t already), Tony Klassen on YouTube.

Re: Name Dropping

Trevor, it was a joy to see your post regarding John Fahey.
Allan and I are not alone then.
I also once encountered John Renbourn when he was playing in the Cloth Hall at Leeds University, not too long before his death.
He had become almost as wide as he was high but amazed me by, at times, sitting cross-legged to play the guitar.

Years at KBGS e.g. 1958-1964 (optional) 1958-65

Current location (optional) Leeds

Re: Name Dropping

And silly me thinking of Duane Eddy. But how did Chet Atkins measure up?

Years at KBGS e.g. 1958-1964 (optional) 1953-58

Current location (optional) Brighouse

Re: Name Dropping

Yes Allan, Tony Klassen is brilliant - and clearly a big fan of Fahey.
As for Chet Atkins - I wish that I could play as well as he could. He could certainly play much better than he used to demonstrate when I saw him on the TV when I was a young lad. People often played what the public wanted rather than what they were capable of. Some stuff on youtube shows that he could play - somewhere at the top end of the Championship, whereas Fahey, Grossman, Renbourn etc were more like Champions League, and I am Sunday league after 10 pints the night before.
Another name dropping, albeit once removed.
A good friend of mine at university studied philosophy. One holiday she took the train to London and, as she was walking through the train looking for somewhere with a table to sit, she saw an elderly gentleman sitting alone next to a window. It was Bertrand Russell. I was really envious and asked her what they had talked about. She said that she had been too frightened to sit by him and had gone to the next carriage instead.

Years at KBGS e.g. 1958-1964 (optional) 1958-65

Current location (optional) Leeds

Re: Name Dropping

I'll check out Klassen.
I had a Master Class a few years ago with Martin Carthy (well, there was 1/2 dozen of us) at the Port Fairy Folk Festival
Also, only a few weeks ago we hosted Eleanor McEvoy for a few nights as she attended an International Folk Music Conference in Geelong - lovely lady!!!

Re: Name Dropping

'What is mind? No matter. What is matter? Never mind.'
After some fifty or sixty repetitions, this remark ceased to amuse me.

Bertrand Russell

Years at KBGS e.g. 1958-1964 (optional) 1953-58

Current location (optional) Brighouse

Re: Name Dropping

Trevor, I went to such a session with Stefan Grossman a number of years ago. His core message to everyone there was to play louder. Sounds simplistic but it really does give body to what even the poorest of us would-be guitar players produce (sadly it doesn't make us pick the correct strings or fret the correct notes. Hey ho.

Years at KBGS e.g. 1958-1964 (optional) 1958-65

Current location (optional) Leeds

Re Ding dong,ding dong.

Shaun Pye
Trevor, I went to such a session with Stefan Grossman a number of years ago. His core message to everyone there was to play louder. Sounds simplistic but it really does give body to what even the poorest of us would-be guitar players produce (sadly it doesn\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'t make us pick the correct strings or fret the correct notes. Hey ho.
He was known as Holy Joe but I did feel sorry when, in class and the large clock struck, it was mimicked by some scholars when he was looking the other was.

Also, wasn't Cakey Patterson's room the first down the cardbooard corridor?

Years at KBGS e.g. 1958-1964 (optional) 1953-8

Current location (optional) Brighouse